Decibel Magazine: The Top 40 Albums of 2019
- Blood Incantation — Hidden History of the Human Race
- Lingua Ignota — Caligula
- Gatecreeper — Deserted
- Crypt Sermon — The Ruins of Fading Light
- Tomb Mold — Planetary Clairvoyance
- Possessed — Revelations of Oblivion
- Blut Aus Nord — Hallucinogen
- Spirit Adrift — Divided by Darkness
- Sacred Reich — Awakening
- False — Portent
- Full of Hell — Weeping Choir
- Mayhem — Daemon
- Mizmor — Cairn
- Devin Townsend — Empath
- Venom Prison — Samsara
- Obsequiae — The Palms of Sorrowed Kings
- Haunt — If Icarus Could Fly
- Darkthrone — Old Star
- Funereal Presence — Achatius
- Cattle Decapitation — Death Atlas
- Idle Hands — Mana
- Die Choking — IV
- Falls of Rauros — Patterns in Mythology
- Inter Arma — Sulphur English
- No One Knows What The Dead Think — No One Knows What the Dead Think
- Opeth — In Cauda Venenum
- Schammasch — Hearts of No Light
- magic circle — Departed Souls
- Misþyrming — Algleymi
- Baroness — Gold & Grey
- Cerebral Rot — Odious Descent Into Decay
- Abbath — Outstrider
- Toxic Holocaust — Primal Future: 2019
- Candlemass — The Door to Doom
- Vastum — Orificial Purge
- Misery Index — Rituals of Power
- Elizabeth Colour Wheel — Nocebo
- Nocturnus AD — Paradox
- Smoulder — Times of Obscene Evil and Wild Daring
- Devil Master — Satan Spits on Children of Light